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Don Miller’s new book! Time and Time Again

Don Miller was the mystical magical master of metaphor at Melbourne Uni in the politics department when it was mad for theory. In those days, Alan Fu Davies, John Cash, Nikos Papastergiadis, Scott McQuire, Glenda Sluga and others met regularly in the open coffee area (now boarded up as cubicle offices) to discuss psycho-social politics, Foucault, Derrida, Spivak, Rose, and where Anthony Giddens came and tore his stretch denim jeans on an armchair and Jean Baudrillard talked about everything as simulation and was asked ‘so why do you write’.

Don has now perpetrated another book, his fourth, a long time coming, but a beauty. Happily published by Pavement, it is endorsed by the great and the good of time studies, but it is much more. Also a theoretical book, but filled with examples, cases studies and commentary on everything relevant to Australian politics, global theory, matters of the minute and problems of the ages. It is infused with sport and science, India and Europe, Melbourne to its core yet never parochial in a way that will wind some people up and get others scratching their heads to think. The ‘think piece’ indeed was Don’s meter, asking his students to sit under a tree and consider their assignment before writing them in – as he encouraged – prose that challenged the stiff conventions of Political Science in its day, and today.

Time itself is more than a metaphor, but then nothing can escape time, or metaphor. The book benefits hugely from years beyond the university, talking to people as a conversationalist, a life coach, an advisor and a neighbour. A product of travels across the globe and across the shelves, armchair readings of psychoanalysis and on the spot samples of subcontinental conflicts, dilemmas and designs. The book is a conceptual challenge to tik-tok and clock time, taking temporality through its paces, trialling different angles, wearing away, shifting, displacing the assumptions of the watch, how duration has a face, apparent and hegemonic, which orders time and is thereby disrupted by those who champion fluidity of thought and action. McEnroe’s sublime.

In his blurb for the book, the China specialist Michael Dutton, also a one-time member of the Melbourne Uni Politics Department, says Miller ‘hones in on the ethereal and the everyday quotidian yet paradoxically political character of timing’. Too much perhaps, but that hits the head of the nail in ways most florid writing cannot. Don’s prose never exceeds its remit, but its remit is to provoke you to think again, to think of how style is bound up with what a book says, to think of multiple times of reading, and living. To accept the gift of being responsible for reading and thinking and living in your time and for all time as a finite yet multiple being. The longer perspective is not in the length of the book but the time that these thoughts will stay at the back of thinking, a contemplation engine informing and reforming thoughts and schedules. Make time to read this book, it will be worth the wait (for the delivery, in this time of Covid, will also pass fast enough, in due course).

By john hutnyk

John Hutnyk is a writer with 5 single author books: The Rumour of Calcutta: Tourism, Charity and the Poverty of Representation (1996 Zed); Critique of Exotica: Music, Politics and the Culture Industry (2000 Pluto); Bad Marxism: Capitalism and Cultural Studies (2004 Pluto); Pantomime Terror: Music and Politics (2014 Zero); and Global South Asia on Screen (2018 Bloomsbury and Aakar in India); as well as co-authored with Virinder Kalra and Raminder Kaur of Diaspora and Hybridity (2005 Sage). He has edited several volumes of essays, including espceially Dis-Orienting Rhythms: the Politics of the New Asian Dance Music (1996 Zed, co ed with Sharma and Sharma); Travel Worlds: Journeys in Contemporary Cultural Politics (1998 Zed co-ed with Raminder Kaur); editions of the journals Theory, Culture and Society (2000) and Post-colonial Studies (1998)’, and both a festschrift for Klaus Peter Koepping called Celebrating Transgression (2006 Berghahn, co-ed with Ursula Rao); the PhD colloquium volume Beyond Borders (Pavement books 2012); and recent volumes of the journals Educational Philosophy and Theory (2020); Journal of Asian and African Studies (2020) and Social Identities (2021). He tries most often - almost daily - to write on culture, cities, diaspora, history, film, prisons, colonialism, education, Marxism. Studied and taught in Australia at Deakin and Melbourne Universities; and in the UK in Manchester University’s Institute for Creative and Cultural Research; before moving to Goldsmiths University of London in 1998, and becoming Academic Director of the Centre for Cultural Studies in 2004-2014. Has held visiting researcher posts in Germany at the South Asia Institute and Institute fur Ethnologie at Heidelberg University, and Visiting Professor posts in InterCultural Studies at Nagoya City University Japan, Zeppelin University and Hamburg University, Germany, Sociology at Mimar Sinan University, Istanbul, Turkey and at the Graduate Institute for Social Research and Cultural Studies, National Chiao Tung University, Taiwan. Immediate past adjunct Professor of RMIT University, Melbourne and GIAN Visiting Professor Jadavpur Uni Kolkata. Currently Associate Professor in the Faculty of Social Sciences and Humanities at Ton Duc Thang University, Ho Chi Minh City, Vietnam.

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